Most telephones are quieter nowadays, but this was typical of the era in which 'Night Call' was produced. Then come the first two telephone calls, with a ring that pierces through the darkened setting. She takes the phone from Elva's hands, holds it to her ear, and hears only silence. Pan over to an old woman who, like many of us, has trouble sleeping through the noise of thunder outside. The next morning, Elva's aide finds her dead in bed, holding the phone against her chest, a look of peace on her face. After a pause long enough to create dramatic tension, Brian says yes. She regrets having been such a demanding and fussy person throughout her life, and asks Brian if he can possibly still love her enough to forgive her. Elva Keene, confined to her bed and wheelchair, is driven to distraction by mysterious telephone calls on a dead line. After realizing that the voice is really Brian's, Elva apologizes for her part in the accident. Night Call (1964) - Cast & Crew The Movie Database (TMDb) Miss Elva Keene lives alone on the outskirts of London Flats, a tiny rural community in Maine. In the "Poetic Injustice" thread, I came up with an alternate ending to this episode that I like better than the real one. I'm not sure this was better than the original ending of Richard Matheson's story, in which the corpse tells Elva, "I'll be right over." Granted, if they had actually shown Brian's "return" on television, it would have been either too unrealistic or too gross. It does seem like this is a harsh ending for Elva (or, in light of the point that Dan Hollis brought up, perhaps just a pointless one). When old college friends Danny and Karl reconnect in a VR version of their favorite video game, the late-night sessions yield. Kanamit picked this as one of the first examples for his "Poetic Injustice" thread (click here.
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